Q&A: Avid’s Matt Feury on State-of-the-Art Avid 4K Workflow
By Jim Bask

Speaking of HDR, how is HDR handled by Media Composer? We support it. We are agnostic to it. It flows through editorially.

Speaking of HDR, how is HDR handled by Media Composer? We support it. We are agnostic to it. It flows through editorially.
An innovative monitor that thrives outdoors or in, and shows that 13″ can be as good as 17″ for many jobs. I’ve owned many field monitors over the years, but the 1303 is easily the most versatile and innovative. Its brightness makes it the best monitor I’ve ever used outdoors, and features such as push-button LUTs, dual camera angles, and image capture all are genuinely useful.
In this video, shot last month at BVE 2017, you can see exactly how quickly a drive working north of 540Mbps can move your data around.

Welcome to the second installation of Editors on Avid, a three-part blog series that explores why editors choose Media Composer to tell compelling stories.
Premiere Pro has come a long way since its debut 25 years ago. Today, it’s the industry’s leading editing software, empowering filmmakers and all types of video creators to bring their stories to life in film, on television, and on the web.
Atomos Webinar TODAY!
Monarch HDX is a versatile dual-channel H.264 encoder for broadcast streaming and recording.
Successfully using all of the desktop mixing features in Telestream Wirecast features requires a powerful, finely tuned computer. Telestream recently released its own series of bundled systems, Wirecast Gear. In this review, we put a test system through its paces.

The LiveU Solo is an integrated A/V encoder built with portable live streaming. It distills it into a single button operation.
The Humane Society of the United States uses LiveU Solo to bring animal rescues Live to Facebook and YouTube.