With today’s release of Media Composer 8.8, Avid Technologies brings back two important features not seen since version 7.
It’s rare in the world of software to see features return that we’ve lost. Usually, if a developer drops a feature, it’s due to a lack of popularity, and even if a few users complain loudly about its absence,
Media Composer has hit some huge milestones in the last 1-2 years. The additions of both larger than HD projects, as well as custom project sizes was big, but this update is just as big, if not bigger.
ChryonHego indepth webinar on LyricIP RESCHEDULED for Tue, Feb 21st!
Thurs, Feb 23 – Avid Media Composer 8.8, Upgrade & Reinstatement Promo, ScriptSync and PhraseFind
Catch-up on the Media Composer Upgrade & Reinstatement Promo. ScriptSync and PhraseFind are back!…
Media Composer upgrades are back for a limited time
And now through March 31, 2017, customers can upgrade to the latest Media Composer for just MSRP $399.
Every editor has been there. You’re staring at a growing mountain of drives and cards and devices containing dozens, hundreds, or even thousands of hours of footage.
Got an older version of Media Composer, Symphony, or NewsCutter—even as far back as version 3? Or maybe you’ve got a more recent version of Media Composer, but let your Annual Upgrade and Support Plan expire? Then we’ve got some fantastic news for you!
First, if you haven’t heard already, we’re bringing ScriptSync and PhraseFind back! And we’ve updated both of these new Media Composer options to be even better than ever.
In depth with ChyronHego LyricIP NDI System
TUESDAY, Feb. 14, 2-3pm ET
Join Glen Maxheleau at ChyronHego for a more in-depth look at the LyricIP. In this detailed webinar he will show more of the LyricIP’s interface and use with the NewTek TriCaster.
“Each client has their own project-manager who accompanies the project through the individual production/post-production processes within the establishment and operates as a communicator between the client and the internal or external employees working on the project,” Seemann said. “Individual project-managers each specialize in an area, such as cinema or TV.
Tom Ohanian, a Digital Transformation Strategist, wrote this piece about the revolution of digital non linear editing.
The DNLE revolution occurred due to a confluence of technologies that continue to affect, improve, and, in some eyes, dilute our everyday lives. From a technology perspective, compute and I/0 capabilities were the main factors for the DNLE growth curve.
It’s a new year and 2017 is a year unlike any other in terms of the technology we have at our disposal for editing and post-production. The controversy over the new MacBook Pro aside we have very powerful hardware to choose from over a wide range of prices. If you’re in the game to edit then running on that hardware will be non-linear editing software as there’s no way around using an NLE to cut your film, commercial, music video, documentary or story together.