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Video: A World of Live-Streaming System Options

By Jim Bask 0 Comment December 7, 2018

Most people who live-stream professionally or have been doing it for a while, at least, know that to live stream, you need at least one source (usually a camera), a capture device, an encoder, and an internet connection with sufficient upload speed to get the video to the host.

Post Production Collaboration on a Budget

By Adam Noyes 0 Comment December 7, 2018

Accelerate post production!  Through Avid’s unique HyperBin architecture, MediaCentral | Editorial Management delivers enhanced collaborative capabilities.

RED Announces Dragon-X, Adding 5K Super35mm to DSMC2 Line Up

By Jim Bask 0 Comment December 7, 2018

The RED cinema camera line up, from the outside has always been quite a confusing one to follow. When the company announced a unification earlier in the year, we wrote a layman’s terms articleexplaining the formalisation to just 3 camera bodies

Matrox Monarch LCS offer for Crestron Capture HD users

By Jim Bask 0 Comment December 7, 2018

              Matrox Monarch LCS BDI:MONARCHLCS MPN: MHLCS/I Reg $2,495 MSRP $1,995 with credit Matrox Monarch LCS Crestron has discontinued production of their Capture HD […]

BLOG WORKFLOW: THE REAL MACHINE BEHIND PROJECT PROFITS

By Jim Bask 0 Comment December 6, 2018

“Storage” is about drives, and a drive is some media in a little box that needs data and power connections. Of course, there are different kinds of drives and different quality levels, but the discussion rarely gets that far. In the vast majority of considerations, drives are about capacity and price. “We’re shooting a big project. Go buy lots of terabytes for the lowest cost.” It’s like taking over the payments on a lame car.

Roland Year-end Specials Available Now

By Jim Bask 0 Comment December 6, 2018

          V-1SDI Portable 3G-SDI Video Switcher Compact, Portable, 1080p SDI Switcher: Professional SDI Video Switching that you can take anywhere.$1,495.00 MSRP – $100 Rebate $1,395 Promo […]

Why I shoot ProRes RAW with the Sony FS5 – Alan Stockdale of Foundlight productions explains

By Jim Bask 0 Comment November 29, 2018

Alan Stockdale of Foundlight productions explains why he shot Apple ProRes RAW with his Sony FS5 and Atomos Shogun Inferno monitor/recorder for the new Schneider Kreuznach MOVE series.

December Specials Broadfield Liquid Lunch & Learn LIVE Webinar

By Adam Noyes 0 Comment November 29, 2018

In case you missed it be sure to check out this week’s very special Broadfield Liquid Lunch & Learn LIVE Webinar.  Our topic this week was a look into the upcoming December Specials we have on-deck for the holiday season.

First Look at TriCaster® TC1 Update

By Jim Bask 0 Comment November 29, 2018

This video shows off the newest interface changes within the version 7 software for the TriCaster TC1.

Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion

By Jim Bask 0 Comment November 29, 2018

There is a lot of wt’s become known as mobile filmmaking being done with cell phones, such as the iPhone, Samsung Galaxy and even the Google Pixel. For this review, I will cover two apps and one hybrid hard drive/mobile media ingest station built specifically for this type of mobile production.ha